Wednesday, May 08, 2013

My childhood summer holidays

The days of the annual exams were never of anxiety and fear during my school years. Instead they were prelude to an exciting summer vacation at our native place with cousins and grand parents.

Train journeys were far and few during our childhood days. Save for weddings in the family, we never travelled taking off from school. So the summer holidays were looked at as fun times to travel and just enjoy.

The view of the pond from our home
The pattern of holidays and travels were almost the same every year. My uncle's family along with a lovely cousin used to take the first train from Madras to Cuddalore. A few days of evening beach visits, roaming around a super market and some drawing and painting at home were the routine for a week.

Then the travel used to take all of us to Karaikkudi, our native place. My cousin, my brother and I along with my uncle and aunt formed the group. Sometimes my mother joined us. We travelled by the 'Boat Mail' that departed a few minutes after midnight at Cuddalore and reached Karaikkudi around 8.45 a.m.  Not-to-forget fun was the date in the ticket. It was always the next day's date since the departure time of the train was 00: 25 a.m.!And we always had the doubt if the train we had to catch was 'today's or tomorrow's'!

The holiday fun started there every time.
It was jhatka earlier and then the motorised cycle rickshaws that took us home from the railway station at Karaikkudi. We and our cousin never had the opportunity to travel by these means in our places.

Our grandparents' lovely home

Our home in Karaikkudi was on the northern bank of a Ooruni, a tank. Called the Muthoorani, the four sides of the bank had row houses and most of the occupants of these houses were either relatives or friends of our other cousins, my brothers and sister who were schooling at our grand parents' home there. The news of our arrival would spread to the small community around the Ooruni bank in no time.

The second cousins who were our neighbours also drew plans for the holidays. But the times spent at home with grand parents were real fun.

Our grandfather woke us up early morning and we took turns to draw the kolam in our front yard. Sometimes all of us joining to draw the kolam was creativity coming together.
We fetched our drinking water from outside since our home used only the water from the well at our backyard. The ice apples (nungu) used to come to our home in dozens. Wrapped in palm leaves they were treat for the heat. Our grandma took the palm leaves out carefully and taught us to make little baskets locally called the kottaan.

The afternoons were spent watching our grandma and aunts make appalams and vadams at home. Kilos of sweets and snacks were made at home and gobbled up by the whole group of children. We were nine in all. We still, are!

We took the evening tiffins and baskets of mangoes to the garden and spent hours eating them. We cousins learnt to ride the bicycle on the banks of the tank. Hiring a pair of cycles, we took turns to rode on them supported by the cousins, who ran along the bicycles.

Our grandma used to do up our hair nicely stitching jasmin flowers together.  With so much flowers in the hair and long paavadais, we used to go the cinema at the street corner. The 'old fims' (now most of them are almost almost extinct!) of our times, my uncle introduced us to, were a lot of fun and learning. The New Cinema probably saw us, the balcony ticket customers only during the summer vacation!

Some evenings were for classical music. At home it was with a nice cute harmonium. The sessions used to go on till dinner many times. It was also series of concerts at Pudukkottai, another town close by that hosted Narasimha Jayanthi concerts in summer. Our uncle took us to the festival in twos and threes during the ten days.

Half way through the vacation, we all used to pack up to Madras. A 'city' all the cousins enjoyed. Shopping, beach, zoo, parks, car rides, temples and just like that outings ...

At the end of the summer, when we all returned to our respective towns, we were all richer by a couple of new dresses, new books, new toys and great experiences!

We never had a holiday abroad or summer camps like the kids have these days. But the fun we had and the hobbies we learnt, knowledge we acquired just by being with cousins and grandparents cannot be just be compared with today's vacations.

Tuesday, April 23, 2013

Music, maestro and memories - Tribute to Lalgudi Jayaraman

Amidst the Sri Ramanavami music concerts in Bangalore, my phone buzzes to convey a very sad news.

The violin falls silent. Maestro Lalgudi Jayaraman passes away. This happens while I plan to visit him in a week's time. This makes the moment more pensive. And my mind travels back by 30 years.

I will never be able to express how I felt when I received a letter from the legend Lalgudi written in his own very beautiful handwriting. Even the address on the envelope was written by him very neatly! It was after a concert in Cuddalore, I had written to him and he 'penned' a reply. And my mom and dad were surprised at the letter written by the maestro himself more than I did.

Two years after the mail, I met him at his residence in T. Nagar. I was amazed at his memory recalling a letter written to one of his thousands of admirers. We spoke about many things, about my workplace, the place I started living after joining my first job, my music training and more. The two hours I spent with the person he was, apart from great musician, still stays green in my memory.

Long after this, I met him on the corridors of Sri Krishna Gana Sabha after his concert during the December season of 1988 / 89. He looked at me as though he was recollecting something and I just began ,"I am ...". He completed my name! What a memory!

His Christmas day concerts for Kalarasana at Rani Seethai Hall on Mount Road and the New Year's Day concerts at the Mylapore Fine Arts Club became part of my calendar in the years of my living in Madras on and off during my transferable job.

Again in 2008, when Lalgudi received the 'Lifetime award' from the Music Academy, I went to be there at the function just to have a glimpse of my favourite music genius.

I might have taken to Lalgudi's music through my mother who admires his playing a lot. She recognises his style with ease even when she hears him accompanying a vocalist in the vintage recordings. I am sure she must have heard almost all his recordings at some point and so she identifies the 'voice' of his strings at one stroke of his bow. She has stories of seeing him with a tuft in his early years. A sort of admiration the present day young people have for their filmy heros!

When we bought a 'two-in-one'  in the late 70s, it was a cassette of Lalgudi's music that inaugurated the precious device of ours on that day. The universal choice of all of us at home!


Of all the memorable days of my life, one important day associates with Lalgudi much more than any other. The day never passes without thinking of him. That is my son's birthday who shares it with this maestro!

I became the happiest person when my son took to learning the violin involuntarily, as a kid of 5 years. He got introduced to many instruments along with violin and vocal singing later. He loves Lalgudi's Saramathi. And we all love the Ganamurthi in the veena-venu-violin recordings!

Lives are ephemeral. Memories live longer and music lives forever.

Lalgudi's Saramathi masterpiece 'Mokhamu galada' asks 'Is moksha attainable in the world?'

Yes. He proved it through his music.

Friday, February 22, 2013

Wall arts. Will they be back in Chennai?

Compound walls are always the face of any building. Be it a small house, a bungalow or a landmark building.
Some prefer to have the walls plain and put up terracotta tiles to give them a look of a heritage house.

These days, graffiti on private walls are rare to see.
We always had great painting tradition on the walls. The murals, the warli art of Maharashtra and the madhubani paintings on the mud walls in the interior Bihar are artistic expressions of common people even now.

A few years ago, artists in Mumbai joined hands and started painting the walls of private houses and institutions. The Mumbai Wall Project, founded by Dhanya Pilo, who caught up with the artists and public very quickly and as they were looking at the great wall along the Tulsi Pipe Road between Mahim and Matunga (West) railway stations, the city fathers invited them to just paint up the wall!

Mumbai is open to creative projects in many fields. Art is just one among them. The characters the city has in the form of the historical buildings and the style of living perhaps allow art to be pat of their daily life. The annual Kala Ghoda Arts festival is a testimony of the love for arts the people of Mumbai have.

The Tatas have lapped up the concept and began involving themselves in such creative art projects. Last year they hosted 'Mumbai Wallbook' to paint up a two kilometer wall stretch from Mahim Railway station.
I just received a Press notification from Tata Housing Development Company (THDC) about the upcoming 'Delhi Wallbook' event. Now their canvas will be the one kilometre wall along the North Campus of the Delhi University, University Road, Maurice Nagar. About 500 artists are expected to paint the wall this Sunday, Feb. 24. Strictly only art, no text, no product, politics or whatsoever!

Chennai too has long private and public walls.
I used to look up the walls of Theosophical Society on either side of Besant Avenue.
Brightly painted in yellow is the Chepauk stadium wall ...
Chennai too had its wall paintings along the long walls on the Mount Road. The previous DMK Government had decided to decorate the walls with paintings when the Supreme Court banned posters. While the paintings withered in the rains and shines, political and promotional graffiti slowly overtook the space. And as ever, the decision by a new Government is not to redo or repair the paintings but to whitewash them.

We still have space on the walls of private houses. The walls of the new gated community apartments make good space for arts. The trendy malls can also offer that space for arts.

Tatas, are you listening? Turn your eyes on Chennai after you are done with your Delhi project. We do have long walls in the culturally rich Chennai city!